路上に座るPUNK、傷んだギター、都市のスクリーン、散らばる紙幣。見られるための音楽と、生きるための音楽の距離を荒いノイズの中に残した。
Music can become a product without turning rebellion into one.
A punk figure, a battered guitar, city screens and scattered money hold the distance between music made to be seen and music made to survive.